
Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings.
The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music.
This volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters.
Topics include the revival of songs from early written sources, creation of new songs based in old genres, the concept of “sing” in other languages, spirits as the origin of song knowledge, and how to manage ethnographic records over time. Keeping Time approaches Indigenous practices from a range of disciplines, including linguistics, history and performing arts, as well as Indigenous Studies, cultural revitalisation (including reclamation of Indigenous languages), Indigenous knowledge and application to climate change.
Offered in honour of Emeritus Professor Linda Barwick, the founder of the Indigenous Music, Language and Performing Arts series, Keeping Time offers a diverse range of opinions on ethnographic research practices and their value to society.
There are 3 audio examples available to be listened to here: https://open.sydneyuniversitypress.com.au/keeping_time.html
Nick Thieberger is an Associate Professor in Linguistics at the University of Melbourne, and the Director of PARADISEC.
Amanda Harris is an ARC Future Fellow at լе Conservatorium of Music, The University of լе and Director of the լе Unit of PARADISEC.
Sally Treloyn is an Associate Professor in ethnomusicology and intercultural research in the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne.
Myfany Turpin is an Associate Professor in ethnomusicology and linguistics at լе Conservatorium of Music, The University of լе.
Foreword 19 Singing from the Mountains: when things really go right in Indigenous research a story of creative collaboration and Ngarigu cultural renewal by Jakelin Troy
“This outstanding volume celebrates the lifelong work of Linda Barwick, including the many ways she has advanced the study, documentation, and archiving of musical artistry, and forged it into dialog with the living continuity of musical creation and performance, in Indigenous Australia and beyond. The contributors to this volume themselves reflect her ongoing influence in this undertaking, giving testimony to her proficiency, insight, and her respectful awareness of people, music, and temporal artistry.” – Professor Anthony Woodbury, University of Texas “Inspired by the work of scholar and cultural activist Linda Barwick, Keeping Time is essential reading for those working in archiving, musical analysis, Indigenous music and dance research, cultural policy and research ethics.” – Anthony Seeger, Distinguished Professor of Ethnomusicology, Emeritus, UCLA
Size: 254 x 178 mm
Copyright: 2024
ISBN: 9781743329504
Publication: 01 Nov 2024
Series: Indigenous Music, Language and Performing Arts